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Mystic Blue (Immortals Bowl with Kintsugi)

Year: 2022

Size: 40" x 47.5" x 2"

Kintsugi Vase with Flowers (enc. framed)

Year: 2022

Size: 12" x 12"

Kintsugi Vase with Dragon (enc. framed)

Year: 2022

Size: 12" x 12"

‘Fade to Gold (Rise of the Phoenix)’

Year: 2022

Size: 60" x 30"

Scarlet Kintsugi Vase

Year: 2022

Size: 12" x 12"

Vaso di Braque

Year: 2022

Size: 48" x 36"

Ai Weiwei (Remembrance)

Year: 2022

Size: 12" x 12"

Kintsugi Dragons

Year: 2022

Size: diamètre 18" x "

Homage to Chu Teh-Chun (kintsugi) #12

Year: 2021

Size: 36" x 36" x 1.8"

Homage to Chu Teh-Chun – Kintsugi – #11

Year: 2021

Size: 36" x 36" x 1.8"

Deep Blue

Year: 2021

Size: 36" x 36" x 1.8"

Black Jade Tiger Jar

Year: 2020

Size: 12" x 12"

Scarlet Vase with lid Kintsugi

SOLD

The Hidden Dragons

SOLD

Kintsugi Drips (Italian Maiolica)

SOLD

The Phoenix

SOLD

Puebla With Phoenix

SOLD

Persian Blues

SOLD

Symphony (Kintsugi of the Fallen Note)

SOLD

Forevermore (Kintsugi With Gladiolas)

SOLD

The Phoenix Vase (Kintsugi)

SOLD

Crouching Lion

SOLD

Thai Kintsugi in Ultramarine and Gold

SOLD

Winged Dragon

SOLD

Redemption in Blue and Gold

SOLD

The Kintsugi Vase

SOLD

The Emperor’s Vase

SOLD

Girl with a Fan

SOLD

Artwork information

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Details of the artwork
Artist information

Bruno Capolongo

Artist Resume Movie: Bruno Capolongo on KINTSUGI •15 mai 2021

BIOGRAPHY: 

Bruno Capolongo is an established artist of Neapolitan descent whose work is collected by private and corporate collectors in addition to a growing list of public galleries and museums. With an exhibition record of over 150 exhibitions, the artist has also been represented by a number of fine art establishments, including galleries in Toronto, New York City, Montreal, and Washington DC. Capolongo is the recipient of numerous awards and honors, including the internationally coveted Elizabeth Greenshields prize three times (of which there've been few since 1955), and consecutive first place awards for the national Canadian exhibition and competition 'Evidence of Things Unseen.’